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30 Year Fashion Veteran Transcends
Race, Sexual Orientation
By: Herndon L. Davis
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So you think all Latinos and Hispanics are Catholic?  Well think
again.  As a result of one of the world’s ugliest examples of
spiritual and ethnic intolerance, a growing number of
Latinos/Hispanics are now discovering and embracing their lost
heritage; the fact that they are descendants of Sephardic Jews,
the priestly class from Aaron, the brother of Moses.

For many years scholars have been documenting this sorted tale
of fear, intolerance, torture, and murder in order to bring to light
a re-discovered truth of Latino/Hispanic existence.

The story began back around 900 BCE when Jews began settling
the Iberian Peninsula now known as Spain and Portugal.  When
the First Temple of Jerusalem Temple was destroyed, more
Jews began to migrate to this area.

The new inhabitants named the area “Sepharad" by which the
name "Spain" was later derived. Jews were forced into
Catholicism and periodically tortured, beheaded or burned alive
for the “crime” of lapsing back into Judaism.

Eventually, the area was conquered by Muslim Rulers, the Moors
of North Africa in 711 CE.  From that point, there existed what
is termed as “The Golden Age of Tolerance” where Muslim,
Christians, and Jews coexisted together.

Non-Muslims were allowed great freedom as long as they paid a
special tax which Jews gladly paid. It is also during this era that
the Jewish culture exploded into a renaissance and its population
flourished beyond belief.  However, this era was still not without
its problems.  There were at least three political Muslim
government upheavals and occasional eruptions of violence
against Jews.

In addition, emotional unrest among Christians continued as they
identified Jews with the death of Christ and imitated the
“Reconquista," or reconquest of the peninsula, as a holy
obligation.  The Catholics eventually absorbed the Muslim
Kingdoms and regained control of the region in 1391.  As
estimated 50,000 Jews were killed and tens of thousands more
converted to Catholicism.

For many generations, Jews were confined to ghettos with no
economic interchange with Christians, until The Spanish Edict of
Expulsion of 1492 which forced all Jews out of the country.  
They were to leave the country or face the Inquisition, which
would more than likely would lead to death.

Although many Jews fled to other parts of the Europe, a large
number fled to the New World or what’s now known as the
Americas.  They were forced to join either the Spain or Portugal
colonies upon their arrival and years later, the Inquisition
followed them to Peru, Mexico and Cartegna.

The entire experience forced many Jews to become Crypto Jews
which meant that they professed another religious faith why
secretly holding on to their Judaic belief systems and traditions.  
In other words, Jews “passed” for Christians in order to
maintain their lives.

Generations later, many Hispanics/Latinos both in Mexico and in
western American states are re-discovering their lost heritage and
are openly expressing their Judaic faith.  In fact, much older
grandparents of today can recall how certain Jewish traditions
were taught to them as children as the pieces of the puzzle are
now being put together.

Hence today many Hispanics and Latinos are now beginning to
reconnect with their lost faith and tradition. However, probably
what stands forefront this historical tale is the “Golden Age of
Tolerance” where Jews, Muslims, and Christians co-existed with
relative little tension.

What qualities, traits, and understanding can we learn from this
age?  Can we replicate the positive aspects of this era of
tolerance?  If so, how does it begin and where does it begin?
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Copyrighted 2006

Herndon Davis is an author, lecturer, and TV/Radio Host of The
Herndon Davis Reports.  He can be reached directly at
http://herndondavis.com
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Jewish Latinos:
A Life To Be Understood
By: Herndon L. Davis
You’ve seen his work for the past 30 years but you never knew his
name. He’s designed and created clothes for all of the major
television networks, and has worked exclusively creating clothing
sensations for world entertainer, Stevie Wonder for the past 16
years.

He’s been a hot Hollywood item for over three decades, this
unassuming man whose had his fingers on the pulse of fashion for
most of his life. Meet Greg Upshaw, a native of Springfield, OH, the
third of six children, and whose father worked as a mechanic and
mother as a housewife.

His hometown hovers over 65,000 people in a densely populated 24
square miles.  In a city with only two rival high schools, it stands a
far cry from the urban hustle and bustle of New York City, Paris,
Los Angeles and the constantly changing dynamics of the fashion
industry.  

So just how did Springfield’s native son become a 30 year fashion
designing veteran traveling the world many times over?   

“I left Springfield after graduating and went to Clark College in
Atlanta for 1 year and then came to L.A. the next year to go to the
Fashion Institute of Design and Merchandising” Greg explains.

After finishing FIDM, Greg worked his way up the food chain of
fashion, starting off as an assistant designer, then as a designer
dabbling in various areas of fashion before making a more
concentrated move to television.

“It was fun and very demanding I was an apprentice working under
various T.V. designers doing a variety of things shopping, fittings
etc. to get the look the designers wanted, up until the show was
taped” he adds.

Greg actually worked on some of the most popular TV shows of
the 1970’s and 80’s including General Hospital, Barney Miller, The
Academy Awards, The Grammy’s and eventually made the rounds
at numerous nighttime and daytime television show at ABC, NBC,
and CBS.

Greg’s union affiliations, his continual networking, and the quality
of his work kept the doors of opportunity open and the phone call
requests for his assistance coming. Then one day it happened, the
phone call to go on the Jackson 5 “Victory” tour, then later on  the
Michael Jackson “Bad” Tour and let’s not forget his other stints
with artists such as  Lionel Ritchie for the’ “Dancing on the Ceiling”
tour.

Again Greg worked in various capacities from sketching,
coordinating, fabric shopping, to wardrobe or all of the above.  
Upon his return from the MJ’s “Bad” tour, Greg got a call from a
representative from Stevie Wonder’s management.

It was a dream job that most people would have jumped at, to travel
with Stevie to Europe for three months.  But a resistant Greg was
determined to rest for a few months after a grueling “Bad” tour and
actually declined to interview for the new position within Stevie’s
camp.  

A few days later a surprise phone call from the music legend
himself, Stevie Wonder along with nudging from his mother
convinced Greg to take another look at this new opportunity.

Fast forward 16 years later, Greg Upshaw has had a fruitful and
productive working relationship with Stevie Wonder whose media
and concert schedule has taken Greg around the world many times
over.  Greg’s primary job is to design, create, and to coordinate any
and all clothing creations for Stevie Wonder and related background
singers.  

Whenever Stevie appears publicly to perform, Greg is not too far
behind guiding the visual artistry of the musical icon’s image. “It
has been a lot of fun. I have had more hits than misses with him and
it is never dull. I have traveled all over the world Europe, Africa,
Asia, etc.  Working with Stevie can also be a challenge because,
sometime the time factor to produce something can be a little nerve
racking.”

And the fun is about to begin again “I will be touring in late summer
early fall with Stevie and doing shows for his latest CD, A Time to
Love, and I’m sure there will be something’s thrown in before that.”

Greg also has several other artistic interests as well.  “I want to get
back to drawing and painting and taking some classes in sculpturing
I love works done in bronze, terra cotta.”
Finally, he encourages youth that they too can have as vibrant
career as he.  But one thing Greg is clear about is that as an openly
gay, black man that he relies on his talent not his race or sexuality to
guide him through the door.

He encourages gay youth that “as a gay black male don't wear your
sexuality on your sleeve, just be who you are and be the best that
you can be, because everyday life things must be taken care of.”  
And after a 30 year prolific career in fashion design, these are
indeed words to live by.
Copyrighted 2006

Herndon Davis is an author, lecturer, and TV/Radio Host of The
Herndon Davis Reports.  He can be reached directly at
http://herndondavis.com
 
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